We came to the Robert Flaherty Film Seminar to present Jack Smith's film Flaming Creatures, although we were not included among the official guests. We slept outside and experienced Vermont night in our bones. The morning was beautiful and we all felt great, we felt we that we were the "Monks of Cinema." The eye-pod will give you another glimpse into my way of filming.

...they slept outside in the Vermont night...

圣伯纳德山修道院（Mount St Bernard Abbey）的修士们正在英国开办第一家特拉普派啤酒厂。该修道院共有25名修士，其中超过半数已年过八旬。为了让他们具有历史意义且反主流的生活方式得以延续，此次创业必须取得成功。与此同时，当修士们思考灵性、衰老和生命的终结时，修道院墓地的葬礼数量仍在……

Four petty criminals pretend to be friars escaped from communist Hungary and go and live in a Sicilian convent

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

A humorously semi-factual account of the history of cinema.

暂无剧情简介

Sir John Mills narrates this entertaining compilation. "The Best of British Cinema" takes an insightful look back at some of the finest and most memorable feature films to be produced in major British studios over a period of five decades. All of the major stars are here, from Olivier to Leigh, from Sabu to Robert Donat, along with eminent directors. This series confirms the power, humor and drama of the great British films.

Simply the hottest footage! Join Jacqueline Lovell on a tour to show you what Surrender Cinema is all about!

A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.